Fused-Glasses

While fused glass techniques are generally used to create glass art, glass tiles and jewelry, the slumping process allows the creation of larger, functional pieces like dishes, bowls, plates and ashtrays. Producing functional pieces generally requires 2 or more separate firings; one to fuse the glass and a second to shape it.

THE MANUFACTURING PROCESS

Most contemporary fusing methods involve stacking, or layering thin sheets of glass, often using different colors to create patterns or simple images. The stack is then placed inside the kiln (which is almost always electric, but can be heated by gas or wood) and then heated through a series of ramps (rapid heating cycles) and soaks (holding the temperature at a specific point) until the separate pieces begin to bond together. The longer the kiln is held at the maximum temperature the more thoroughly the stack will fuse, eventually softening and rounding the edges of the original shape. Once the desired effect has been achieved at the maximum desired temperature, the kiln temperature will be brought down quickly through the temperature range of 815 °C (1,499 °F) to 573 °C (1,063 °F) in order to avoid devitrification. It is then allowed to cool slowly over a specified time, soaking at specified temperature ranges which are essential to the annealing process. This prevents uneven cooling and breakage and produces a strong finished product.

This cooling takes place normally for a period of 10–12 hours in 3 stages.

The first stage- the rapid cool period is meant to place the glass into the upper end of the annealing range 516 °C (961 °F). The second stage- the anneal soak at 516 °C (961 °F) is meant to equalize the temperature at the core and the surface of the glass at 516 °C (961 °F) relieving the stress between those areas. The last stage, once all areas have had time to reach a consistent temperature, is the final journey to room temperature. The kiln is slowly brought down over the course of 2 hours to 371 °C (700 °F), soaked for 2 hours at 371 °C (700 °F), down again to 260 °C (500 °F) which ends the firing schedule. The glass will remain in the unopened kiln until the pyrometer reads room temperature.

Note that these temperatures are not hard and fast rules. Depending on the kiln, the size of the project, the number of layers, the desired finished look, and even the brand of glass, ramp and soak temperatures and times may vary.